Majel Conncery 1.jpg
IMG_0625.JPG

PROJECTS HAE VOCESOPERA CABAL / ORACLE HYSTERICAL

Highlights 'HECUBA' ALBUM RELEASE / 'PASSIONATE PILGRIM' ALBUM RELEASE / KQED 'WOMEN TO WATCH' / CONTRIVING THE CHIMES

EMAIL M@OPERACABAL.COM / FB MAJEL.CONNERY         

BIO (short):

Majel Connery is a vocalist, composer and recovering musicologist. Most recently, her vocal compositions appeared in the Radiolab series, "Gonads." She performs & records most frequently, and ardently, as one half of Bay Area duo Hae Voces (with Kristina Dutton), and with NYC-based composer-performer collective Oracle Hysterical. Her first solo EP, co-created with drummer Dylan Greene and sound engineer Chris Botta, debuts in 2019.

BIO (long): 

With past lives as an opera singer, yoga teacher, and a musicologist, vocalist & composer Majel Connery combines roots in classical opera with a devil-may-care embrace of influences from pop to indie-rock. Most recently Majel wrote and performed music for 5 episodes of the WNYC podcast Radiolab’s “Gonads” series, including a Radiolab Live performance at NYU’s Skirball Center.

Former New York Times critic Steve Smith favorably compared her voice to Shara Nova/My Brightest Diamond and Joanna Newsom; Peter Margasak, writing for Bandcamp Daily, describes her vocals as “expertly drawing upon a wide swath of approaches—British folk, madrigal, art rock.” Majel’s writing is influenced primarily by a random assortment of cassette tapes in her parents’ boombox circa 1982, which explains a compositional style that can sound simultaneously like Elvis Costello and Schubert (the Wall Street Journal actually said that). In opera circles, she is best known as Artistic Director for avant-garde opera company, Opera Cabal (2007-2018), whose premiere of G.F. Haas’s ATTHIS at The Kitchen (with ACME) was described as “one of the most … searingly painful and revealing operatic performances in recent times (New York Times).

Majel left a music assistant professorship at UC Berkeley in 2015, had an early mid-life crisis, and launched a new career as a solo artist with a focus on generating her own work. Since then, as Mohr Visiting Artist at Stanford (2017), she commissioned and performed Pulitzer Prize winner Caroline Shaw’s “Contriving the Chimes,” written for Majel and the St. Lawrence String Quartet, and staged by opera director Christopher Alden. In 2016, as Mellon Visiting Artist at Wellesley, she commissioned and performed Aeolus, a throat-singing rock opera by Rome- and Berlin Prize-winning composer Ken Ueno. Majel appears most frequently as one half of Bay Area vocals/violin duo Hae Voces (with Kristina Dutton). Spring 2019 she will co-teach a "Voice" seminar with poet Jeff Dolven at Princeton University. Majel is bi-coastal, based in Brooklyn, NY and Berkeley, CA.

“excellent vocals”
— BBC3 Radio
haunting, Bjork-like vocals
— SF Classical Voice
uninflected and vibrato-free, alternately borrowing from the interpretive sophistication of jazz or musical theater and the deliberate naivete of folk-rock.
— Wall Street Journal
smooth, sultry vocals
— Second Inversion
crystalline voice
— Chicago Reader
Majel Connery has achieved the practically impossible.
— KQED
expertly drawing upon a wide swath of approaches—British folk, madrigal, art rock
— Bandcamp Daily